Result Does not matter to me -Anwesha Dattagupta
In a post by SVOI
- Anwesha Duttagupta, the contestant in Chhote Ustaad from Kolkata has won many hearts through her soulful singing. Even after coming in the scaryland repeatedly, this girl made sure to make it to the finals through her talent. She won the hearts of everyone on the show with her sweet smile and her melodious singing. A very down to earth girl she is sure to create waves in the music industry is what most music lovers feel.
- How has your journey been through Chhote Ustaad?
- It has been a great experience. I have learnt a lot apart from the competition. And I enjoyed a lot with all my friends. And most importantly, I got to learn a lot from two very important people Anand Sharma and Anuj Kapoor, who help us train and give us a lot of technical tips.
- How do you feel reaching the finals?
- I am quite excited about being in the finals. I am workinhg really hard and we will try and give our best so that the finale is a rocking show.
- Were you sure of coming this far?
- I wouldn’t say that I was over-confident of making it big here, at the same time I was sure that I had it in me to move on in the competition. My mother had always told me to take it one step at a time. And that’s what I did, I started out slowly by thinking that I just hope I reach the top 11 first. Doing so, I have finally reached the finals.
- How are you preparing for the finals?
- Preparation is going on pretty strong. We are concentrating a lot more on the performance and our singing. Along with the tension of being in the finals, there is also a lot of excitement. We are working very hard to make sure the finale is a good show.
- Among the three judges, who is ur favorite?
- All three of them are equally nice. They have all been very caring towards us throughout the competition. They have always made their decisions unanimously and their comments usually don’t vary. All three are the best in their own style and genre.
- In the usual format of such shows except for the finals, all the ronds are done in the studio. How do you feel going through this changed format? Which format do you feel is better?
- Well when it is a live performance, we have to practice a lot more than for a recorded performance. There is a lot of stress and tension associated with a live performance. In fact I was present for the grand finale of Star Voice of India and I saw that there were a lot of rehearsals held. I have never thought on the lines of which format is better. Both the formats are good in their own way.
- Who among you two have the best chance to win?
- Umm… what can I say about that? Both of us are working very hard and will give our best. Winning or losing is a part of any competition. All I can say is that after coming to this platform, we have received equal adulation and blessings and I don’t think winning or losing really matters, after reaching to this level.
- Any incident that touched you and you would be taking with you after the show gets over?
- Yeah I do have a special memory. When the Star Voice of India finale was going on, Lata Mangeshkar had come as the celebrity judge on the show and I was quite excited to meet her. I went up to her and received her blessings too.
- Future plans after this show?
- After Chhote Ustaad, I hope to become a successful playback singer. Hopefully as I grow I become a versatile singer, that’s all is what I wish for.
- Actresses you would love to do playback singing for?
- I would like to do playback singing for all the actresses.
King Khan’s Paanchvi Pass interview espouse agitation
Kya aap Paanchvi pass se tez hain cavalcade is running from city to city auditioning for the apparent contestants for the show. As so many general public are registering for the auditions, the selection team is in a huge impasse over categorization of the challenger profiles.
The consequence of the on-air and off-air promotion is so marvellous that audience from different backgrounds right from doctors to actors have come to the audition to involve oneself as contestants on Paanchvi Pass.
Bhopal and Bangalore saw lakhs of aspirants requesting to meet Shah Rukh Khan or get his immediate look thinking that he has come personally for the auditions; although SRK didn’t travel himself for the same.
In Delhi, Mumbai and Kolkata populace waited for hours outside the audition centers to take Paanchvi pass test and make some fast money; especially with the prize money of 5 crores.
The genuineness will be at last tested on Kya aap paanchvi pass se tez hain in Star Plus commencing from 11th and 12th April, 2008 in the first instance.
Touch me not pleassss
Nana Patekar, on the sets of Horn Ok Pleassss , passed a critical statement on Tanushree’s outfit and she got annoyed. The result: Rakhi has replaced Tanushree Dutta
Sarang, the Producer of the movie established the news and said, “Tanushree refused to attend the rehearsals and wanted to start shooting the song directly. She also insisted that the song should be picturised only on her.â€
But Tanushree trying to camouflage the issue said, “Yes, there was an issue on the sets, but I didn’t want to take this to the media. Is there anything wrong with that? But the electronic media was adamant on getting bytes from me and in the fracas, my car was damaged. Moreover, if I wanted to throw tantrums, I would have thrown them on the very first day and not waited for the last day of the shoot. I rehearsed for five days for the song and was well prepared for it.â€
A source close to the actress made known, “When the filmmakers had approached Tanushree for the item number, she had not only confirmed the design of her costume, but also the dance steps for the song. But she was shocked when she learnt that the dance involved intimate touching, which was not acceptable to her.â€
In the meantime, when asked about the confrontation, Rakhi said, “Rakesh Sarang felt that I was the right person for the song so I agreed to do it. I have great regard for Nana Patekar.â€
Reminiscences of an old gallantry award winner
He won gallantry award from Pandit Jawarhal Lal Nehru at the age of 14, but now at the age of 64, he lives the life of an unsung hero in the by-lanes of Chandi Chowk, Old Delhi, India
- An icon at the age of 14 and an insignificant person at 64. This is Harish Chander Mehra, the first gallantry award winner who now lives unsung in the bylanes of Katra Neel in Chandni Chowk.
- The honour was bestowed on him in 1958 by then Prime Minister Pandit Jawaharlal Nehru, whose life he had saved. Still then, the awards are now given to children annually on Indian Republic Day and they pass through Rajpath, near India Gate, sitting on an elephant.
- The reminiscences are stamped in Mehra's heart and the pain of having been elapsed once the short dalliance with famous person’s status died.
- Recollecting the incident Mehra quoted "On October 2, 1957 evening, during the Ram Lila celebrations in Old Delhi's Ramlila Ground, Nehru along with his daughter, Indira Gandhi and some foreign delegates was watching the fireworks that preceded the function. Suddenly, some sparks fell on the tent in which they were sitting and it caught fire."
- The congested place had people running haphazardly to accumulate their lives. Mehra, then a boy scout, was standing at the entrance hall of the pergola. He entered the flaming tent and ran near Nehru and instantaneously pulled him in the direction of the dais. In a fraction of seconds, he climbed on to one of the poles, pulled out the scouts' knife and cut off the burning tent. In the scuffle, Mehra's hands got rigorously blistered and he gone unconscious.
- Mehra was presented with a certificate on the nexdt morning by Minister Jagjivanram. After three months, while studying in Class 8, his Principal, Tej Bhan Sethi entered the classroom and took the dazed child to the string of media persons and photographers waiting for him on the school grounds.
- In the same year,The following year, a special programme was organised to honour Mehra and he was presented the Gallantry Award by Nehru at Teen Murti Bhawan.
"Nehru had said that I needed no introduction, as he was himself an eyewitness to the whole account. He said it would be better if we could have more children of undoubted courage," says the shuddering Mehra.
- Newspapers published Mehra's profiles and interviews. A documentary film was made followed by an invitation to participate in the Republic Day parade held on January 26, 1959. A civilian boy was made to lead the parade for the first time. Five years later, due to economic crisis, Mehra had to quit studies. He took up a job as Lower Divisions Clerk in Union Public Service Commission.
- After few years he was transferred to the Controller of Publications with no incentive and promotion. He retired from there on February 27, 2004.Apart from the populace in close proximity to him, no one ever since remembered Mehra. Every year, Mehra sits with his three sons and four grandchildren to gaze at the Republic Day parade on TV. The award winning children surpass all the way through Rajpath, memoirs draw closer once again for Mr Mehra.
King of Jungle knocks down and severely injures Keralalite Trainer
An unfortunately managed photo-shoot at the Bowmanville Zoo, Toronto to erect circulation by presenting how bizarre ancient Indian martial arts can be, turned out to be very fatal for Indian Martial Art Trainer Gitanjali of Kerala .
The Indian trainer was knocked over by a lion during the photo shoot at the Zoo . She broke four ribs and a bloodied lung.
“To be honest, the sensation I have is a great deal of gratitude to be alive,†Gitanjali Kolanad said the bedridden trainer.
Since the commencement, the 180 kilogram beast proved mischievous and not completely in command of of its two minders.
Kolanad, 54, practices the ancient, and perceptibly feeble, Indian martial art of Kalaripayat, formed after the actions of such animals as the lion, elephant, wild boar and peacock. The magazine opted she pose with a lion. Next time, she might just tell them where to get off, and choose a peacock instead!
A video of the session shows Leo first knocking over editor Sonia Verma. She picks herself up and smiles. He next paws the legs of photographer Richard Lautens. Off-camera, he also took a swipe at the legs of art director Spencer Wynn.
The 3-year-old lion was two-faced in close proximity when an unmindful Kolanad was reaching into her actions. Still imperfect to leap, the animal jumped up and fell on her, knocking the breath out of her, injuring her left lung and infringing four left ribs.
It was not an assail, the witnesses said. The lion’s mouth was not open and Kolanad was not dented. The Bowmanville Zoo had no comment on the incident.
Focus is key in Kalaripayat, which bases its movements on the graceful control of animals. It’s a constant lesson in focal point. When you lose your focus, you instantaneously get hit.
In the video, one attendant kicks the otherwise obedient beast in the neck while the other pulls on Leo’s chain. The lion takes a second, abortive attack at Kolanad as she lies breathless, before he is escorted out the door.
Incapable to work for the past month and still in pain, Kolanad said she feels on the road to recovery.
This shows that there are no limits to human stupidity like performing before a dangerous beast at the cost of one’s life!!!
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